The Sacred Science of Music

Why does music and sound touch us so
deeply? Why are our brains 'hard-wired' for music? Why do all cultures sing and

dance, and why do rhythms move us? What is it about music that soothes the
savage beast in us? Calms us down? Why is music a universal language that
unites us as one human family - or is it One Human Being?
Here is some interesting research to answer some of those intriguing questions
concerning music and our souls.
In this preliminary study a synthesizer was retuned to the “Perfect Circle of
Sound™” (PCoS) in advance of investigations measuring neuro-physiologic
responses in humans to varying frequencies of sound. 528Hz, a central wave form
in the original Solfeggio musical scale, was used to begin construction of an
octave determined to most reasonably approximate a standard melodious scale.
Among the PCoS notes only 417Hz and 741Hz frequencies required exclusion due to
their dissonance within the scale. This study evidences standard tuning in
“A”=440Hz frequency is equivalent to the 741Hz F# frequency in the Solfeggio.
Both frequencies may be bioenergetically degrading to human energy systems. The
chance this precise association between the ancient and modern scales might
have happened by chance, versus by sinister imposition, is discussed.

Introduction

Suppose you awakened one morning to find everything you previously viewed as up
was down, and needed to relearn to walk on a floor you previously knew was the
ceiling? The task would be daunting, yet compelling.

In 1998, authors Horowitz and Puleo advanced a set of musical frequencies now
confirmed to be the original Solfeggio scale and fundamental to Pi, PHI, the
Fibonacci series, sacred geometry, and cosmology, and spiritual
metaphysics.(1,2)

From this work Horowitz suggested standard musical tuning in “A” = 440Hz
subjects listeners to chronic agitation and bioelectric degeneration, and may
inhibit psychosocial maturation and spiritual evolution.(3)

Alternatively, 528Hz frequency identified as the “MI” or “MIracle” note in the
ancient scale, and the 639Hz “FA” or “FAmily” tone, together form the heart of
the original Solfeggio.(1) As central to the “musical-mathematical matrix” fundamental
to universal design, these frequencies may play a vital role in balancing and
harmonizing bioenergy fields and chakra (vortex energy) systems impacting human
health and psychosocial behavior.(4)

Here we advance a theory that logically discerns 528Hz frequency is the scale
with which chakra tuning and wholistic healing is best administered. This
theory posits all architecture is based on solid foundations. As 528Hz
frequency is central to Pi, PHI, the Fibonacci series, sacred geometry, the electromagnetic
sound and light spectrums, and the heart of the musical mathematical matrix of
creation(2) then bioenergetic (or “biospiritual”) therapies for wholistic
healing would best begin using this foundational frequency.

Background

Definitions are required for intelligently discerning this potentially
evolutionary concept of wholistic healing and chakra tuning by hydrosonic
stimulation. The following terms are thus defined: scale, frequency, pitch and
resonance.

Scale is defined in music as “an ascending or descending collection of pitches
proceeding by a specified scheme of intervals.” In Western music the diatonic
octave scale has been used since the and includes the pitches or notes, A, B,
C, D, E, F, G, A; or C, D, E, F, G, A, B, C. (Notice the 1st and 8th notes are
the same within the octave, and are one octave higher or lower in pitch. So
there are really only 7 unique primary notes in each octave.

Thus, there was a A=440 scale established; and there may be other scales that
might be better suited for human listening and healing, such as the “C”=528Hz
scale.

Frequency is defined in acoustic science as “the number of times that a
periodic function repeats the same sequence of values during a unit variation
of the independent variable.” In other words, using our A=440 scale beginning
with the “C” note, the “A” pitch occurs in this octive, and the “C” pitch
occurs twice in this octave.

Remember that all three pitches were in A = 440Hz, even though you might think
they could not be because they sound different. So the pitch is the “unit of
variation of the independent variable” in every scale of music.

Previous discoveries compel us to tune to C = 528, wherein the octave of
pitches—all the notes in the scale of C=528Hz-- are all in C = 528Hz. (This is
counter-intuitive and difficult to grasp for most people.)

Additionally, a frequency is defined in music and electronics as “the number of
repetitions of a periodic process in a unit of time; . . . the number of
complete oscillations per second of energy (as sound or electromagnetic
radiation) in the form of waves.”

Pitch is defined in music as “the musical frequency of vibration, rate of
vibration, or a tone; . . . Standards of pitch include: concert, classic, high,
low, international, French, Stuttgart, philharmonic, philosophical. . . .

A tone is defined as “a vocal or musical sound, its quality; or an intonation,
pitch, modulation, etc. of the voice that expresses a particular meaning or
feeling . . . .”

So there are variations of each pitch within each scale that like each scale is
characterized by a unique frequency of vibration, commonly measured in cycles
per second, or Hertz frequencies.


Still, even though each pitch within each scale and octave vibrates
differently, each pitch vibrates in harmonic resonance with the particular
tuning used, such as A=440Hz or C=528Hz.

Resonance is defined in acoustics as “the intensification and prolongation of
sound, especially of a musical tone, produced by sympathetic vibration.” And in
physics the definition of resonance is “the increase in amplitude of
oscillation of an electric or mechanical system exposed to a periodic force
whose frequency is equal or very close to the natural undamped frequency of the
system.”

This definition of resonance is important in healing physics, and especially in
this paper’s theory that sound therapies best incorporate the original
Solfeggio vibrations, featuring “C = 528Hz.” The reason for this is reiterated:
528Hz has been proven to be the heart of the entire electro-magnetic spectrums
of sound and light; in other words, the heart of the universe, or
musical-mathematical matrix of the cosmos.

Thus, building therapeutic systems or protocols based on C = 528Hz frequency is
most likely to cause an “increase in amplitude of oscillation of charkas, or
spinning bioenergy votecies, within the human body exposed to these waveforms
“whose frequency is . . . very close to the natural undamped frequency of the
energetic [universal] system.”

Methods and Materials

In order to “micro-tune” a Korg Oasys synthesizer to the Perfect Circle of
Sound™, a tuning fork set manufactured to generate the precise frequencies of
the original Solfeggio musical scale, plus three additional tones required to
complete the “Circle” was used, (HealthyWorldDistributing, LLC)

Each fork was repeatedly struck to determine its near precise frequency and
pitch (or tone). Tones were measured initially using a standard Korg chromatic
tuner. These tuners maintain an adjustable range of 426-451Hz frequency. Later,
more precise frequencies were determined using the “Master Tuning” display of
the synthesizer.

Table 1 in the next section lists these Korg instruments’ readings for each of
the nine PCoS frequencies.

Using the conversions in Table 1, the Korg Oasys was retuned one key at a time
beginning with the middle “C” using the 528Hz equivalent in standard tuning
(i.e., 443.06Hz ). Since pianos are tuned beginning with “C” a new 528Hz scale

was built beginning with middle “C” with subsequent pitches selected among the PCoS frequencies
mimicking the tonal quality of a “normal” octave: C, D, E, F, G, A, B, C. From
this, it was determined that 417Hz and 741Hz did not fit the scale or sound
harmonic to the sequence.

Next, to determine if the PCoS scale correlated with previously advanced
frequencies associated with the chakra system, we arranged the set of 7
pitches, beginning with C = 528, in ascending order as per the 7 main charkas
as shown in Figure 1 posted under Results. The Hertz frequency equivalents this
time were derived by dividing each PCoS frequency listed by 2 as needed to
enter the range of frequencies published by previous authors to correspond to
each chakra and chakra color. For example, the base chakra vibrates at 256Hz
according to Hero.(5) One octave down is determined by dividing that 256 by 2;
which equals 128 Hertz that falls in the “C” range of frequencies. By taking
528Hz and dividing it by 2 twice yielded 264Hz and132 Hz, respectively. From
this analysis we established the right hand column of frequencies in Figure 1.

Results

TABLE 1. Perfect Circle of Sound™ Frequency and Tone Equivalents*

*Solfeggio frequency conversions derived from Korg chromatic tuner for
programming Korg Oasys synthesizers

It is noteworthy that the Solfeggio scale notes “RE” (at 417Hz) and “SO” (at
741Hz) were not suitable for selection in a melodic scale beginning with middle
“C” set at 528Hz.

Discussion

A Google Search of “heart chakra frequencies for therapy” returns nearly a
quarter million links to myriad articles and inventions claiming various
frequencies are best suited for healing applications. How is anyone able to
make such claims or discern anything reliably?

This thesis may help.

According to Horowitz, human beings are fundamentally “digital, bioholographic,
precipitations, crystallizations, miraculous manifestations of Divine frequency
vibrations” rendered hydrosonically and metaphysically.(7) The authors suggest
two main factors determine efficacy of electrotherapy systems including
chakra-based tuning systems: 1) the heart-felt loving intent of the therapist
as well as the patient. This relates to investigations of prayer associated
with beneficial outcomes best explained by theories in quantum physics,
creative consciousness, and creationistic metaphysics;(6) and 2) the actual
frequencies used.

Regarding the frequencies for chakra tuning, our protocol uses the PCoS
featuring a central “harmonic triad” of 528Hz (852Hz and 285Hz), beginning with
the base chakra tuned to 132Hz, (i.e., two octaves below 528Hz as middle “C”.)
Both 132Hz and 128Hz identified by Hero as a root chakra-resonating frequency
observed to elicit effective neuro-muscular therapy, are in the range of
“C.”(5)

We propose an attenuation differential between reception and transmission of
frequencies by the human expected since incoming energy in frequencies would be
slow as they move through body structures such as proteins. So “C” 132Hz going
in could reasonably be “C” 128Hz exiting the body.

Suffice it to say this area of research and development is in its infancy, and
there are many questions to be answered such as from whence cometh A = 440Hz?

The American Federation of Musicians (AFM) is credited for standardizing A=440
in 1917, but it was “not universally accepted until after 1920,” according to
Lehman.(8)

Among the most interesting and controversial questions raised by these findings
is whether or not “A” set at 440Hz was a sinister imposition by the AFM on
behalf of special interests. We discovered that the tone “F#” in the 741Hz
Solfeggio scale, is identical to “A” in standard 440Hz tuning. This is
especially odd and incriminating since the interval between 528Hz and 741Hz in
musicology is known as the “Devil’s interval” because of its dissonant quality
(i.e., severe disharmony). The probability that this occurred by chance is too
remote to conclude anything other then those advancing “A = 440” must have
known about the original Solfeggio and the “Devil’s Interval” peak frequency
741.

After all, these scales are foundational to Western music. Major and minor
scales derive from medieval and Renaissance periods when two of seven modes
formed by diatonic scales began on “each of the seven notes of the octave; . .
. By the start of the Baroque period, the notion of musical key was
established—based on a central triad rather than a central tone. Major and
minor scales came to dominate until at least the start of the 20th century,
partly because their intervallic patterns are suited to the reinforcement of a
central triad.”(9)

During the early twentieth century, the Rockefeller family foundation’s funding
of the arts and sciences, including the most influential organizations and
institutions in America, played formative roles in medicine and modern music.
For instance, this paper would not be possible were it not for windows software
advances by Microsoft’s Bill Gates, whose grandfather, Frederick Gates, was
John D. Rockefeller’s chief business and philanthropic advisor during the
formative years of the AFM. This was when John D. Rockefeller began funding and
influencing the arts while monopolizing medicine.

Advancing a pseudo-scientific survey called the Flexner Report, these
wealthiest industrialists directed the U.S. Congress to condemn natural healers
including naturopaths, chiropractors, and acupuncturists. Thereafter, medicine’s
cultural infusion, monopolization, and profitable pharmaceutical intoxication
of populations was secured by the Rockefeller family with substantial direction
by globalists Dr. Frederick Gates and John Mott, both evangelic
Freemasons.(10-12)

Much has been written about the insidious connections between the financial
world’s cryptocracy and Freemasonry in which glaring examples of secreted
knowledge involving sacred geometry and musical-mathematics adorn regalia and
even American currency. A recent analysis by mathematician Showell is presented
in the sidebar proving 528Hz frequency uniquely enables the sacred geometry of
pyramid cosmology and Freemasonry as shown in Figures 1 and 2.

FIGURE 1. Masonic Symbolism Including “Central Triad”

FIGURE 2. Masonic Temple Wall Decoration

FIGURE 3. 16-Point Star on Early Annunaki Art

Given the aforementioned revelations, including the precise musical mathematics
central to secret society metaphysics and sacred geometrics, weighty evidence
suggests malfeasance in the establishment of “A”=440 standard tuning.
Alternatively, when tuning chakras to a scale beginning with “C”=528Hz, the F#
pitch plays between the heart and throat chakras as shown in Figure 4. So if
there was a place in music to energetically sever the superhuman (intuitive)
heart from the human head it would be here.


Furthermore, previous investigators attribute human will function, including
strength of will, to this energy center called the “throat chakra.”(5)
Certainly, vocalizing ones feelings and needs assertively, not passively or
aggressively, is important for psychosocial health and well being.
Alternatively, musically/vibrationally destabilizing the higher heart and
throat energy centers would be expected to produce significant sociocultural
stress. Such musically institutionalized direction is suggested by the evidence that 741Hz,
the “SO” and F# note in the PCoS, transposes precisely to “A”=440Hz in standard
tuning.

Curiously, both 417Hz and 741Hz are harmonics of each other comprising a
different “central triad” fundamental to modern music played using diatonic
scaled octaves. These two notes exclusively are the only two tones
disharmonious in the scale beginning with “C” as 528Hz as depicted in Figure 4.
These two exclusions: “RE” and “SO” in the original Solfeggio, Webster’s
Dictionary defines as “REsonance” and “SOlve the problem or pollution.” So the
opportunity to RE-SOLVE humanity’s main problems and pollution may come
exclusively from examining and integrating this knowledge in heart chakra
tuning, will-function rebalancing, and creationistic science.

In other words, when “A” 440Hz tuning was institutionalized, this policy
created a scale dissonant to the central heart frequency expressing LOVE through
remedial action. Taxing human heart energy and will function, Western
populations were lulled into states of spiritual suppression and cultural
degeneration generally accepted as “normal” dysfunction. This “music of the
night,” albeit energetically arousing to the egoic mind or head region vs. the
intuitive brain heart region of the body, may be a main reason civilization
stands on the brink of extinction.


There is a dire need for more research and developments in this field of
musical anthropology and creative mathematics applicable to therapeutics,
economics, and geopolitics. Key among these are double-blind studies comparing
different frequencies of sounds and colors on human physiology and other
objective measures associated with health versus disease.

Summary and Conclusion

Musical mathematics expressed through creative hydrosonics establishes the laws
of physics and the cosmos.(7) This preliminary investigation examined the 528Hz
vibration fundamental to the primary nine note frequency matrix of matter and
energy. The authors created a scale beginning with “C” in 528Hz that
melodiously assigned Solfeggio frequencies to a Korg Oasys synthesizer
keyboard. The probability that this scale may be most useful in clinical
applications for healing and chakra balancing demands further study, as does
the establishment of the “A”=440 tuning standard that is genocidally suspect.

Acknowledgments

The authors wish to thank Healthy World Distributing, LLC and the Korg Company
for providing the resources needed to conduct this research. In addition,
special thanks go to Vic Showell for his extensive relevant mathematical
analyses, and to John Stuart Reid for contributing a CymaScope analysis of
528Hz shown at the top right of this e-journal.

About the Authors

Michael Walton is a professional sound engineer and musical composer with
expertise in bioenergetic healing. As the founder of SomaMagic Productions, his
expertise covers therapeutic healing chamber design and sound system
development for spas and clinics. He can be reached by e-mail: michael@somamagic.com

Dr. Leonard G. Horowitz is an internationally known humanitarian and award
winning author with expertise in public health and emerging diseases. In 2007
he decrypted Leonardo da Vinci’s most famous drawing, the “Vitruvian [Wo]Man”
to advance the “Perfect Circle of Sound™” as the most significant healing
modality in history. Dr. Horowitz currently serves as the Executive Producer of
LIVE H2O—The Concert for the Living Water, Scheduled for the Summer Solstice,
2009. He requests that contacts be limited to LIVE H2O matters until after the
concert. He may be reached at: lenin528@mac.com.

References


1)Horowitz LG and Puleo J. Healing Codes for the Biological Apocalypse.
Tetrahedron Publishing Group, 1998.

2)Showell V. Ancient Egyptian pyramid Pi and Solfeggio synchronicities. In: PI,
Phi and 528—Proof that 528Hz is Central to Spiritual Freedom: Transformational
Math and Music for LIVE H2O. Doc. 8; http://www.love528.com
Tetrahedron Publishing Group, 2009.

3)Showell V. Hypercube Tesseract 261 Ancient Square Root Two with Egyptian and
Mayan Fourth Dimension Cosmology Involving 528. In: PI, Phi and 528—Proof that
528Hz is Central to Spiritual Freedom: Transformational Math and Music for LIVE
H2O. Doc. 8; http://www.love528.com Tetrahedron
Publishing Group, 2009.

4)Horowitz LG. DNA: Pirates of the Sacred Spiral. Sandpoint, ID: Tetrahedron
Publishing Group, 2004.

5)Hero B. Chakra energy centers of our bodies. In: Color Energies and Healing
the Color Rays of Creation. Copyright, 1996. See: http://www.greatdreams.com/hertz.htmhttp://www.greatdreams.com/hertz.htm

6)Staff. Science of The Heart: Exploring the Role of the Heart in Human
Performance. An Overview of Research Conducted by the Institute of HeartMath.
See: http://www.heartmath.org/research/science-of-the-heart-music-research.html.
Mixed results from studies of prayer are acknowledged. The largest study by
Benson et al in New England simply proves, according to Horowitz, that people
who place their faith in open heart surgery as opposed to natural risk
reduction and Divine intervention are biased sufficiently to undermine such
studies reliability.

7)Horowitz LG. Hydrosonically engineering freedom from infectious diseases.
American Academy of Anti-Aging Medicine International Congress. Las Vegas, NV,
Dec. 12, 2008. See also: The LOVE CODE Seminar: Musical Healing Celebration,
2008, a DVD production based on the book LOVE The Real da Vinci CODE.
Tetrahedron Publishing Group, 2007.

8)Lehman EV. Harmony—Symphony Orchestra Organizations: Development of the
Literature Since 1960. Evanston, IL: Symphony Orchestra Institute, 1995.

9)Wikipedia. Diatonic scale. See: http://www.answers.com/topic/diatonic-scale-2

10)The Rockefeller Foundation. Philanthropy and the Rockefeller Legacy: A short
history. Excerpted from the Philanthropy News Digest. Nov. 8, 2006.

11)Horowitz LG. Death in the Air: Globalism, Terrorism & Toxic Warfare.
Sandpoint, ID: Tetrahedron Publishing Group, June, 2001.

12)Dillen V. The Wycliffe Bible Translators, John Mot & Rockefeller
Connections. January 22, 2003. Online independent Christian research and
apologetics ministry at SeekGod.ca.

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Posted By Alim to Original Scientist at
7/17/2010 07:33:00 PM